Today I was talking to a graduate student in English literature about the generations of criticism. She commented that a while ago New Criticism was established, and then New Historicism, but she did not know what would be next step of literary criticism.
She may not, but I do:
While New Criticism looks only at the text, and New Historicism looks only at the text and the history of the period when the text was written, New Subjectivism looks only at the text and the reader. Another way of saying this is that while New Criticism strives to read nothing into a text, and New Historicism tries to read only the history of the period into the text, New Subjectivism reads only the reader into the text.
Derisively called “14-year-old Girl Criticism,” The New Subjectivism is actually a rapturous breakthrough of burning brilliance.
For instance, imagine a tenured, middle aged professor wishes to examine Hamlet. Boring old methods of criticism would look at the words that make up the text, what is not said, history of Elizabethean England, etc. The New Subjectivist professor, however, is wiser. He will elegantly read himself into the text, discovering which correct represents him and proceeding accordingly.
For instance, compare the openings of two theoretical criticisms of Hamlet: one of the atrophied ancien regime which now controls the Literary Academy, the other our imaginary prof’s groundbreaking New Subjectivist interpretation
Hamlet is the story of a Danish prince. It was written during the reign of Queen Elizabeth, and is infused with the assumptions of that time. For instance, troublesome women were often labeled “melancholic” and we can see in Hamlet that…
The New Subjectivist Way
I am Hamlet. Recently, I took a sabbatical from my crushing, under-appreciated duties at the University to see my parents. God I hate my students, especially the whiny know-it-all grad students. I get so worried about what stunt they will approach next time that I often imagine things. Anyway, as I approached the ol’ homestead…
See the difference? Mathematically, we might say “Old Ways : New Subjectivism :: Poison : Food”
One method of New Subjectivism will be “Forensic New Subjectivism,” also known as “New Objectivism.” FNS/NO will do New Subjectivism backwards, taking a New Subjectivist work and trying to read the reader out of the story. Here is where the delicious fruits of New Subjectivism can be savored like the tasty oranges they are.
Foolish old-style critiques assume that first-person stories such as The Great Gatsby, I Am Charlotte Simmons, and The Rule of Four are texts in themselves. They are not! New Subjectivism teaches us that in every case, all “first person” literature is but a New Subjectivist criticism of a third-person Ur-text. The duty of the Forensic New Subjectivist / New Objectivist will be to derive as much of the tabula primaeval as possible. For instance, taking F. Scott Fitzgerald’s The Great Gatsby the FNS/NO will be to write The Gatsby Story, for I Am Charlotte Simmons a book entitled She Is Charlotte Simmons, etc.
PS: After writing this I learned that The New Subjectivism already exists in economics and that the term New Objectivism has been seized by the Old Masterists. Bah!