Tag Archives: science fiction

Impressions of “The Mind Parasites” by Colin Wilson

The Mind Parasites is an odd book. Its an easy to read book whose narrative breaks down, and whose bizarre ending makes you think the author began taking mescalin half way through the composition. It’s a very clever Lovecraft homage. Its philosophy is terrifying.

First, to the writing style and story. I’d called The Mind Parasites a combination of The Third Policeman, by Brian O’Nolan, and A Colder War, by Charles Stross. Like The Third Police Man, it is a straightforward narrative that is presented as if it is an academic work from the future. The narrator, one of the characters in the Mind Parasites, is himself the object of study, so for example

You can see that it is all a problem of language. I am being forced to make do with one or two words when I need about fifty. It is not quite analogous to describing colours to a blind man, because no human being is entirely “blind”; we all have glimpses of freedom. But freedom has as many colours as the spectrum.

is footnoted with

The above passage comes from a manuscript written in 2005. (M.F.: WHA-3271). We have included it for the sake of continuity. This whole problem is covered in minute detail in Austin’s monumental Life, Being and Language (2025-2041), particular Vol. 8, chaps 7-9.

And The Mind Parasites is like A Colder War because it presents the Cthulhu Mythos as real. As the story begins, Unknown Kadath is discovered, buried in Turkey. Inscriptions to The Great Old Ones are found, “impossibly” old. And being the real world, the media overreacts. There’s a greatest archaeological discovery every, ever generation or so. And in that sense complaining about an implausible ending perhaps is unfair — I recall how A Colder War ended!

But the best part of “The Mind Parasites” the parasites themselves. It’s the most plausible modern presentation of demonology I’ve encountered. It is as vivid a depiction of the demonic influence as Evangelion Neon Genesis is to angels, or The Great Divorce is to purgatory.

A “mind parasite” is a non-physical creature that obtains energy by eating your thoughts. It replaces some thought or pattern of thought about a person, an action, or a thing with its own. For instance, it may replace a calculated desire for money with greed, or a desire to do more with sloth. The most evolutionary effective parasites are those that leave their hosts alive and in good health. The most successful mind parasite – the most effective demon — are those that would leave the soul in the highest level of purgatory, with the greatest access to the refrigerium.

The mind is considered to be a biological machine, which works around these parasites, and can even incorporate them into its own mechanisms. So the mind of the greedy man, in the example above, might incorporate this greed, using it to other virtues while embedded the parasite in a protective callous, limiting it influence to the business world. Yet while this preserves high mental functioning, it makes the mind parasite more difficult to extract later. Medical doctors use intersecting beams of radiation and chemical treatments to remove such embedded illnesses. God uses fire.

In the worst cases the mind parasites completely colonizes the mind, leaving the victim a zombie of shambling parasitical thought and behaviors. In The Great Divorce, a guide tells the narrator there is hope for a quarrelsome woman, if she is still a murmurer, and not just a murmur. There is hope for any mind infested by parasites, as long as there is a non-parasitical portion of the mind left.

I read The Mind Parasites in the Kindle edition.

Review of “Monsters,” “Long Eyes,” and “The Adventures of Julie Beauchain,” by Jeff Carlson

I first came across Jeff Carlson by reading his story story, The Frozen Sky, an amazing tale of the role of reaction speed, and inhumanity, in battle. Jeff is also a blogger, and he was kind enough to virtually sit for a short interview. Recently, Jeff published a couple of his short-story collections on kindle. They are

In my review of The Frozen Sky, I compared that story to the works of Arthur C. Clarke and Isaac Asimov. The Frozen Sky really does reach that level of perfection. It is a story that is fully embedded within the science-fiction genre, but the basic questions that it raises (what is the quality of speed? what is the quality of humanity?) are central to all fiction.

Here, I will compare Carlson to Thomas Ligotti… and to Carlson himself!

Two of these books are really horror, in the classic sense. The stories in Long Eyes and Monsters center around degeneration, the theme of all great atmosphere horror, whether by H.P. Lovecraft, Charles Stross, or Thomas Ligotti. Ligotti is perhaps the natural comparison. The problem is that horror — degenerative fiction — is hard to write. Just as drama is unbearable without comedy, horror is unbearable without beauty. Lovecraft’s science fiction novella At the Mountain of Madness, concerning the disastrous encounter between a scientific expedition and weird life-forms at the south pole, is ultimately a story of sympathy and love. Even Ligotti’s short story “Gas Station Carnivals,” is based on that nostalgia for the childhood of early memories, where we can’t quite determine of they are memories of events, or memories of dreams…

In my view, Monsters and Long Eyes fails as horror, because they do not paint the degenerate world as beautiful.

While Monsters and Long Eyes are horrors, Julie Beauchain is war-fiction. Indeed, there are strong parallels to Julie and The Frozen Sky: both feature a female protagonist amid an violently indifferent population , in a hostile environment, connected to humanity only through an emotional distant “Other,” and both books works into the science fiction genre. Between the two, The Frozen Sky is a purer example of the form. Julie Beauchain flirts with both the detective story and apocalyptic fiction, and so is not constrained enough to enable literary freedom.

I am glad I read these three works on my Kindle. The Frozen Sky is one of my favorite short stories (along with Gene Wolfe’s “Mute” and Lovecraft’s “The Terrible Old Man“), and these works help put what works about The Frozen Sky in perspective.

And great news, Monsters and Long Eyes are now available free from Jeff Carlson’s blog!